Covers and titles are tough for an author. Well for this author in particular. I’m in the ad industry, so I have a strong visual aesthetic (read: opinion).
I don’t know which is worse for a publisher, an author with design experience, or one without. Just about all my covers have been torture.
The amount of influence an author has on their cover depends. Generally, the publisher presents a few options to author, there’s some discussion and tweaking, and on (rare) occasion a second round of options. The author gets a say, mostly, but not entirely and sometimes not at all. Publishers have research and strong opinions on what sells and what doesn’t sell.
Harper Collins UK changed the title to Like A Virgin (They wanted to change my name too, but that’s another story for another day). I liked the new title. But the cover wasn’t as easy.
I didn’t love it. I didn’t even like it. They did. We negotiated some tweaks. I still didn’t like it. In the end we agreed to disagree, and off it went into the world. You can’t win ’em all:
Cut to July. An email from Harper Collins. By now, the full team I’d worked with on the original edit, cover and launch had left, some already replaced twice. No surprises, it had been over 18 months since they bought the book and publishing is fast-moving. When I read the email I wanted to vomit. Sales of Like A Virgin were tragic. Worse than tragic, dismal. Wait, worse than dismal, pathetic… wait… worse than pathetic… you get my drift.
Mistakes had been made, they said. I waited for them to say a polite but understandable farewell to me and my dreams.
I was wrong. They said they believe in this novel and they’d decided to give it a new title, a new cover, and another shot.
One book, three covers, three titles. Which is your favourite:
PS: Dutch Courage/Like A Virgin/The Wrong Knickers for a Wednesday is a book about what’s left behind when your clothes come off. It’s set in a strip club in Amsterdam, where all the strippers are celebrity impersonators. Some say it’s smart with a heart (coined by genius editor, Helen Moffett). Which I think is a cute, rhymey description that sums it up nicely.